Sometimes you have to look close
Sometimes you have to look close
Despite yesterday’s snow and the 15-degree reading on our outside thermometer this morning, our Sky Blue Aster still held onto a few bedraggled blossoms.
I mean, you really have to admire the persistence of this late-season bloomer! It’s over for this year, but she’s not going easy.
Read more at: https://nadiasyard.com/our-native-plants/aster-sky-blue-symphyotrichum-oolentangiense-autumns-goddess/.
I would like to say that this was painted in our backyard, but I would not be telling the truth. It could have been, had the artist visited here. It could have been a playful interpretation of our little water garden, with its copper irises, but it is not.
That is about the sum total of what I know about this image, except that I love it.
Nadia and I found it in a dusty antique shop several years back, somewhere in these lower 48 states, probably in Missouri, but possibly in Iowa. I do remember that I paid about $5 for it, in a little metal frame. It caught my eye immediately, hanging there among the miscellaneous memories and remnants of other peoples’ lives. I looked at it, realized it was an original and looked closer, struck by its simplicity and elegance. It reminds me of some styles of oriental painting, particularly some Chinese and Japanese ink drawings—-seemingly simple, but containing worlds in single brush strokes. Look at the flowers:
These are tiny in the original—less than half an inch across. A sure hand with a fine brush did this, unhesitatingly, in just a few confident dabs of color. Look at this small bunch of stems or leaves:
Again, less than half an inch across in the original.
Looking at the whole piece, which measure about 4 1/2 by 6 1/2 inches, you see that the painting is mostly “empty” space, but this space is there to be filled with the viewer’s imagination. It’s not hard to visualize what must have been around this little bit of water and flowers. So why would the painter waste her/his time insulting our intelligence by filling in what we were perfectly capable of filling in ourselves? Instead, s/he set the scene, told us what we need to know and respected us enough to leave it at that. This is another characteristic of certain types of Chinese and Japanese art.
To my mind this is a little masterpiece, a gem of visualization. The more I look at it, the more it takes hold of me. I would like to sit next to this little pond.
Except for the signature, I have no clue who the artist is. Try Googling “Paris watercolor” or “Paris artist” sometime and see how far you get.
I only know that, to me, this is the work of a fine eye and hand. I don’t claim to be an expert on art, but sometimes a thing will just jump out and not let me go. Browsing through that antique shop that day was just such a time.
P.S. If anyone can tell me anything about this piece, I would love to know more about it. Email me at n7919g@gmail.com.
It was waaay past time to turn the compost in our backyard.
One of those jobs that seem much worse in anticipation than they actually are, turning compost is something I can put off for a very long time. Now, I know that our kitchen and yard cast-offs become usable soil much, much faster if I’m actually paying attention, but somehow that doesn’t stop me from letting them find their own path. After all, no matter how much we put in them, the bins never fill up, and they don’t smell bad (until I take the lid off and put my head right down there). All that stuff is going somewhere just fine all on its own.
But today was the day. I was going to turn that compost, come hell or high water. So I popped off the bin lids, unlatched the two halves of the bins and pulled them apart. Reassembling them a few feet away, I turned back to the pile, garden fork at the ready, and prepared to shovel and layer the contents back into the containers, alternating chopped up leaves, kitchen gunk, and soil from disused plant pots, all with a sprinkle of water here and there.
A cloud of gnats milled around in confusion. Honey bees, yellowjackets, and a couple wasps looked around, annoyed at having their lunches of old fruit disturbed. I took a forkful of the stuff and slung it into the bin I’d just moved, noting the herds of pill bugs and wrigglings of worms in the composting mass. A few feet away, a Carolina wren watched intently and sang out its opinion. I wondered just what its interest was in these proceedings.
I noticed some frantic motion in the leaf litter next to the bin and crouched down to see what the fuss was (yes, it can take hours to actually accomplish anything in our backyard). I watched as what seemed to be a young june beetle engaged in titanic battle with a sinuous, writhing creature that looked as if it should be snarling and snapping its teeth. It startled me, but I grabbed my camera and squeezed off a few motion-blurred pictures before the june beetle escaped and launched skywards, and its attacker disappeared. I mean, it disappeared. I sifted through the leaf litter, but it was gone, so fast that it just seemed to pop out of existence. I later found out it was a rove beetle.
I went back to work, trying not to inflict any more damage than necessary on the denizens of the compost—I mean, if I was doing this correctly, they wouldn’t be here in the first place, right? I kind of felt responsible, but I could only do so much. Ants scurried around, frantically trying to evacuate tiny, white eggs from their nursery. Unnamed things squirmed around in the wetter parts of the mass. I still don’t know what they were.
Centipedes flowed in retreat. Seedlings sprouted everywhere, some clearly cucurbits of some kind, probably winter squash volunteers, and little tomato plants thrived. Some yard clippings we’d tossed in had grabbed on and resprouted from the cuttings, probably having a good chuckle in the process. Let’s not even get into the microscopic melee that must have been going on in there.
I had read somewhere that good compost is a living thing, compared to the more sterile soils saturated with thingacides and artificial fertilizers. If that is true, this compost was beyond good. It was angelic.
The special combination of our backyard environment, nestled in the greater environment around it, with our own blend of dietary and yard-grooming side-products, choice of sites, composting technique (or lack thereof), patterns of sun and shade throughout the day, and a thousand other variables had resulted in something that probably existed in all its detail nowhere else. It was indeed a unique ecosystem.
Oh, no. Now I’d done it.
I thought of all the hundreds, probably thousands, of articles, letters, presentations, and tv and radio shows I’d digested where someone tugged at my heartstrings and begged for help in preserving a place because it was, well, unique.
I pondered this for a moment, looking down at our little mound of incipient soil, teeming with a community we’d created, and thought: Well, yeah. What isn’t? I mean, we’ve apparently just broken the 7 billion unique-people-on-the-planet barrier, so how rare is the quality of uniqueness? Not very rare at all. In fact, it’s pretty damned universal, and you might even say it’s an inherent quality of pretty much everything, at least everything living or sculpted by natural processes. Maybe everything period. So there I was, staring at food scraps and bugs, trying to parse the strangeness of the word “unique”. I’m still trying.
So now what to do? What were my obligations here? Should I leave our own little pile of uniqueness undisturbed? Or keep going and change it into something else that would also be unique? I had to ask myself just what the property of “uniqueness” had to play in this decision at all? Are there degrees of uniqueness or a uniqueness index? If so, how does the uniqueness of our compost pile compare to that of, say, Sand Prairie Conservation Area in the Missouri Bootheel?
I suppose that one could argue that each strip mall dotted across our fair land is unique, even if they contain a pretty similar mix of fast food mills, gas stations, payday loan casinos, and car dealerships. They are somehow unique and ubiquitous at the same time, but to me they score pretty low on any potential scale of desirability. I’ve never known anyone to say, “I’m driving a couple hundred miles southeast today, because I heard there’s a really great strip mall down that way.” Would I send donations or join a demonstration to preserve a strip mall? Ahem.
However, I would do these things for a sand prairie. But why?
It seems to me that if a developer took a sand prairie, paved it over and replanted it with MacBurgerBees and other species of the strip mall ecosystem, something profound would be gone. And as much as I try to escape it, the word “unique” keeps rearing its head. But so does the word “diversity”.
There are other sand prairies, scattered among several states, but they are not nearly as much alike as are strip malls. One sand prairie is made up of very different components than the next, and there are not nearly as many of them. People do travel to see them and experience their differences. People have even been known to travel to see different types of compost piles, although not ours. The phrase “sand prairie” (insert your own favorite ecosystem type here) contains much more diversity than does the phrase “strip mall”.
Maybe we need a new or different vocabulary, especially when trying to preserve something of which there is less and less, against the encroachment of something of which there is more and more (but makes more money!). Maybe a better word is “special”.
When there are myriads of sand prairies and only a handful of strip malls left, maybe I’ll consider applying this argument to the malls.
Nah.
I turned that compost, put the bins back together and cleaned up. That compost was still unique, in its own way. But special? Not so much.
We’ve had a couple light freezes already, but that didn’t stop the Halloween festivities in our yard, as some sturdy late bloomers attracted a few trick-or-treaters. This is just a sample of what we saw.
Soon to come is a new addition to our native plants page on Blue Sage, which is a star provider of late-season fare for hardy nectar-lovers. Stay tuned.
(By the way, please help to correct any wrong identifications!)
O Autumn, lie down on me
and cover me with russet and gold.
I will not sweep you away,
or tell the lie that only Spring is real.
“Nature’s music is never over; her silences are pauses, not conclusions.” Mary Webb.
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I wandered recently into our backyard, camera in hand, to see what drama might unfold in front of me this day, and the first thing I noticed was the quiet. Now quiet is a relative thing in the city, never absolute, but this yard was quieter than usual. No bird chatter to compete with the traffic murmur from the street or the buzz of neighborhood lawnmowers. In fact, there were no birds visible, not even the ubiquitous sparrows.
I checked the blooming plants to see what was buzzing around waiting to have its picture taken, but the situation was much the same there. There were a few insects visible, but where was the usual bustle among the blooms? Was everybody gone or were myriads of bright little eyes watching me from secret hiding places?
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“But the pauses between the notes – ah, that is where the art resides!” ~Artur Schnabel
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Truth be told, this was hardly the first time that I’d gone into our backyard or into a forest or grassland to find not much visibly happening. It’s like going fishing when the fish just won’t bite. Everything looks the same as the last time the fish cooperated, but something has changed. At least for the fish.
Very often the cure is just to wait quietly, to join the pause, and see if things pick up. This seems most true for me in the woods, where after a half and hour or so birds will start to move around again, rustlings will be heard in the undergrowth, squirrels will creep out and start foraging around. It’s as if the citizens there can’t associate humans and stillness and just assume I’ve gone. Once, I looked up to see a coyote staring incredulously at me from maybe thirty feet away. At that little motion, it was gone. Like a light bulb going out, just that fast and silent.
Knowing when to shut up and hold still is something hunters know well–first day of Hunting 101. It’s also not a bad strategy for life, in general.
But our backyard denizens are pretty much accustomed to us. They may back off a little further when we come, but they don’t leave or even make much of an effort to hide. And what about the insects?
We have seen the opposite, too, like the morning Nadia and I watched out our dining room window over breakfast and counted 18 species of birds in half an hour or so, including a Cooper’s Hawk, and that without trying very hard. Except for the tense pause when the hawk dropped by, everybody seemed full of purpose and activity and hustle. Is it like a room full of people at a party, chattering and mingling animatedly one moment, then shuffling awkwardly the next at a sudden communal pause in the conversation?
What happens when nature holds its breath?
I couldn’t say, although I doubt that nature’s people feel awkward about silence. Maybe everybody out there takes little breaks when they feel like it, and once in a while these pauses just happen to clump together into a Big Quiet. Coincidence.
Or maybe the world simply deems it wise to stop and consider once in a while—taking a deep breath and listening carefully between the notes, just checking.
Seems like a very sane thing to do, if you ask me. I can wait.
I’m finally getting around to putting some images up! You can view them under “Image Gallery” and switch between the different topics at the lower left of the gallery screen, where it says All Categories. More images will be added soon, along with identifications and commentary..
And so will some new posts. I got sidetracked for a bit, but there are a couple things in the works….
We just added a new page under Our Native Plants for the under-appreciated Late Boneset (Eupatorium serotinum). A humble, but worthy addition to anybody’s backyard, which literally buzzes with activity!